The
genre of this film is hybrid of the action and adventure as well as historical.
The film is in the historical genre because of the period costumes, historical
mis-en-scene such as carriages drawn by horses instead of moving cars, period
buildings with no sightings of modern buildings as well as period, eerie fast
pace percussion music and the and hand held camera shots make the audience feel
like they are immersed in the action. Tracking shots create an ‘action’ and
fast pace feel. The film creates
the spectacle of the world of Victorian London in 1891 through its location
shots of historical London features such as St Pauls Cathedral that anchors the
location as London, the cobbled dirty, muddy streets as well as murky gas lamp
lighting. The murky lighting is a restricted palette of shades of dirty yellows
and oranges. This is called Sepia when the colour blends together to create a unnerving
and spooky atmosphere. The effect of this is to create a sinister underworld
and a sense of jeopardy which fits the genre of action and adventure as well as
the historical genre. An underground chamber seems to be the set for a ritual
killing, because we see a desperate woman in distress dressed in long, white
dress. She is screaming and is having what looks like a fit or seizure. We
encounter people dressed in period clothes such as bowler hats, tweed suits
with waist coats accessorised with canes. Some characters were clearly
dangerous thugs, which was clear from strong, elaborate, deep coloured costumes
with gold details such as sumptuous capes that cover the head.
The representation
of Sherlock Holmes in this extract is a very physical one (rather than just a
towering intellect) so the camerawork reflects his active qualities: it is
dynamic, energetic and constantly on the move. The sequence that we watched was
composed mainly of a long tracking shot that took the audience through the London
streets, inspiring curiosity but also nervousness because of so many hidden
corners, dark alleys and potential traps. This type of camerawork is rather
like a thrilling roller coaster ride as we are swept forwards skirting danger.
A sense of jeopardy is an important ingredient in action adventure films. The
tracking shot conveys speed and motion (essential ingredients of action
adventure films) in the race to save a young woman and prevent her ritual
murder Lord Blackwood, who has killed five other young women similarly. They
stop the murder before Inspector Lestrade and the police arrive to arrest
Blackwood. Close up shots were used to allow the audience to see the
expressions on the faces of the central characters such as Sherlock Holmes and
Lord Blackwood when revealed as an evil villain. Close ups help the audience to
identify with the central character, which is vital as we should be on his side
on occasions such as fighting scenes as well as fast, pace action scenes. Some
of the actions are brutal and shocking, such as when Holmes breaks the neck of
his attacker. The shots convey the two sides of Sherlock Holmes: the intelligent
side and the brutal, harsh side when fighting with villains. Point of view
shots included the scene when Sherlock Holmes and his assistant John Watson are
traveling in a horse drawn carriage through the dark, cobbled, wet, back
streets of London. The shot looks as if the camera is chasing the carriage; it
looks like you are in the moment. Low angle shots are normally used for hero
shots as well as high angle shots are used for panning angles across distances
and landscapes.
Continuity editing
is designed to tell a story and enable the audience to make connections. In
this extract there is some very sophisticated and unusual editing, designed to
enable us to share in Sherlock Holmes's thought processes. This is important in
this action adventure film which celebrates Holmes's needle-sharp powers of
deduction. One example is the sequence when Holmes scrutinizes his opponent,
analysing his history and therefore his old injuries and weak spots, before
delivering a series of blows in the places which will crush him and ensure
victory. Slow motion is used during this sequence. Time seems to slow down when
Holmes processes what he sees, before he delivers the blows. The effect of this
is to allow the audience to share his deductions, admire his intellect and be
all the more shocked by the contrasting subsequent speed of his blows. Sound
and vision editing really need to be considered together, so at this point I
would like to add that Holmes's voice-over represents his inner thoughts as he
makes observations. The opening
soundtrack serves to set the scene in Victorian times as we hear music hall
sounds, the clip clop of horse and carriage on cobbles. The orchestral musical
soundtrack is urgent and rapid, to match the chase through the streets to
locate the villain and liberate the victim.
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